Coinkydink Or Coinkydonk… Where Have I Seen Or Heard That Before?

It’s been a while again, folks, and I’d like to present to you a few more occurrences of homages liberal borrowings.  If you are unfamiliar with my concept of liberal borrowing, click liberal borrowing (not this one, the previous one).

The first few I’m going to breeze through because they’re already older songs, and other people have thought the same or the artists acknowledge the similarity.

  • SOME NIGHTS BY fun. (do I really have to write it that way?) CECELIA BY SIMON & GARFUNKEL

My friend swore up and down about this one, and being the defender of originality that I claim to be, I just didn’t really hear it… until this video:

He also thinks fun.’s We Are Young shares common ground with The Beatles’ Hey Jude.  I told him to find me a sample; he’s still looking.

  • I WON’T GIVE UP BY JASON MRAZ = DELICATE BY DAMIEN RICE

This one even Mr. A-to-the-Z can’t argue with… it’s on Wikipedia.

When I first heard I Won’t Give Up, I wondered why I felt like I knew its melody but not the words (by the way, does Jason Mraz realize he looks like that now?):

  • WASHINGTON NATIONAL’S LOGO = WALGREEN’S LOGO

I’m late to this, but I only noticed because my Detroit Tigers made it as far as they did.  Otherwise, I don’t watch National League games at all.  But answer me this – notice anything?  ‘Cuz Walgreen’s did.

W-w-w-w-what?!

(SIDENOTE: This last one is my favorite.)

Does M83’s Reunion

…sound at all like the theme song to Supernanny?

The Sh– To Just Sh–ty… Throwing Things At The Wall And See What Sticks Edition

I don’t know where to begin with this post. Which one gets the coveted title of The Shit and which gets Just Shitty.  I guess I’ll just GoJo with my gut since that’s where it’s all made…

THE SHIT (FIGURATIVELY LITERAL)

This is a real company’s website.  I only found out about it by passing a truck bearing its logo on the freeway.  I don’t care what they make.  (I don’t know what they make.)

Butt they’re ad campaign is ASS… THE ORIGINAL, and I couldn’t ass-k for more (check it out here):

Mind, meet gutter. Ass, meet end of arm tooling.

THE SHIT (LITERALLY FIGURATIVE)

Is this product a bad idea?  Or worse yet, is it a great idea?

The GoJo Hands Free seems like something out of the past.  But in this case, the past is only like three years ago…

JUST SHITTY

Speaking of (more than three) years ago, aren’t these songs horribly dated?  I didn’t like them then, so I definitely don’t like them now:

  • Sugar’s Helpless
  • Dinosaur Jr’s Feel the Pain

(SIDENOTE: Perhaps I don’t hate them as much as I thought if I chose to remember to write about how much I hate them.  That’s tantamount to writing a letter to Santa Claus to tell him you don’t believe in him.)

Awful Battle… Different Types Of Awful (In Music Videos)

This post could get quite existential.  It’s going to ask the big questions that have no real answers.

First up –

Why is Chris Brown allowed to still be making music?

I’m not even taking any of the Rihanna crap into account.  I’m basing it solely on this horrid example of modern music, Don’t Wake Me Up:

What I don’t get is that even though the kid can sing, they do the shittiest auto-tuning of his voice at the 1:11 mark (and beyond).  I thought we were done with that!

Second up –

What parent allowed their child to be tortured like this?

I’ll grant you that the video for MGMT’s Kids is amazing.  But it’s mostly amazing because it traumatizes a child throughout.  The band does explain how they made it, but I didn’t feel like watching that video too.

Third up –

If you can clearly understand the lyrics, why would you show them through the whole damn video?

Matchbox Twenty reunited this summer and released their first song in (look up how long to fill in this blank) years, She’s So Mean, and instead of a clever representation of the song, they gave a literal literal one:

They ultimately released a banned band version, but it’s too late.  The damage is already done.

A Handful Of… 90’s Rocker Chicks I’ve Never Seen

If you can imagine, there was a time before the TripleDoubleU and YouTube, when I didn’t have… wait for it… cable television.

In this time frame, there were a slew of lady rockers across the airwaves, the likes of Courtney Love and Alanis Morissette.  Those ladies I knew via my subscription to Entertainment Weekly.  But some other ladies – I had no idea what they looked like… UNTIL NOW.

A Tale of Two Marketing Campaigns

This song hit the stations the year the music industry changed.  Whitney Houston had the number one song of the year with I Will Always Love You; number two was Nirvana’s Smells Like Teen Spirit.  Hence you get two approaches to selling Sophie B. Hawkins – the Rancid crowd vs. the Rod Stewart crowd.  There were even two different videos (take one and take two… I prefer take one).  She’s not what I’d expect based on the song lyrics, but I wouldn’t have minded fulfilling her wish.

Mazzy Star is not Hope Sandoval

I learned two things while looking this up.  Apparently, Mazzy Star’s style of music is called dream pop.  I didn’t know this was a genre, but it makes sense.  The second thing I learned was Mazzy Star is not she… it’s they:

Mazzy Star is Hope Sandoval AND David Roback

(SIDENOTE: What is it about this song that reminds me of the TV show Friends?)

This girl does not like pants.

This one I’m slightly cheating on because I found out what she looked like when Why Can’t I? came out in 2003.  All I do know is if I had seen her in ’94, I probably would have developed a crush and bought her CD and went to her concert.  But I didn’t.  Money and time saved.  But now that I’ve seen she doesn’t really like shirts either on the TripleDoubleXU in 2012, I feel it’s all come full circle somehow.

Donna Lewis sounds like a fashion designer.

Okay, so she’s really not even close to what would be considered a 90’s rocker, but this song was everywhere.  I never knew what she looked like, and now I do.  That’s all I have to say about that.

Musical Musings… The Female Mind In The 80’s (According To A Swiss Duo)

I forgot all about this song until my good ol’ Sirius XM planted another earworm in my head.

It’s a song by Double about a woman that’s lost her love, and she still awaits his return.  What did she call him, or at least think of him as?  Wait for it… The Captain of Her Heart.

Only in the 80’s would a woman (even in a song written by two guys) consider her man the captain of anything.  Boats were weirdly popular, as were songs about sailing.  It was kind of a yuppie thing that even extended into fashion.

If this song was made in any other decade, I wonder what the hook would have been?

  • MOVING BACKWARD:

In the 70’s, it would have been The Yang of Her Yin.

In the 60’s, it would have been The Bread Winner of Her Children.

In the 50’s, it would have been Together Forever For Better or Worse.

  • MOVING FORWARD:

In the 90’s, it would have been The Cock that Dicked Her Over.

In the Aughties, it would have been Rock That Booty on a Boat, featuring T-Pain.

In the 10’s, it would be The Captain of Her C—.

monkeyFLASHmonkeyBACK… I Can Still Sing The Theme To Pole Position

This is a weird situation for me.  I consider myself fairly savvy about 80’s pop culture.  I can pull nuggets of recollections (drunken or otherwise) that would put search engines to shame.

For instance, after all these years, how can I still remember the theme song to a show that ran 28 years ago for thirteen episodes:

Equally as strange as knowing the lyrics to Pole Position is knowing (most) of the words to Punky Brewster’s cartoon theme:

But this is where I dropped the ball.  I saw some write-up about 80’s cartoons, and the show Turbo Teen was mentioned.  I DON’T REMEMBER TURBO TEEN.  That is until I saw this:

*hangs head in shame*

SIDENOTE: If you type Turbo Teen in Google, you get no results.

Because it sounds dirty.

A Handful Of… Songs By Huge Scaly Fictional Creatures

So okay, there’s only two, which you might think isn’t A Handful Of anything.  But if you ask the Khaleesi, she might tell you otherwise…

“I’d tell you otherwise.”

  • Imagine Dragons’ It’s Time
  • Soup Dragons’ I’m Free

HONORABLE MENTION – Dinosaur Jr’s Feel the Pain

JusWondering… What Is Desperately Wanting About?

I’m not exactly sure what recently got me looking into this, but I must admit that I am dumbfounded.

And by dumbfounded, I mean I found dumb.  Amazingly dumb.  And let it be known that I’ve seen a lot of dumb, and this takes the dumbcake.

Remember Desperately Wanting by Better Than Ezra?  If not, here’s the (horrible for 1996, or any time for that matter) video:

My initial thoughts on the song was that it was about a girl he loved in his youth that had a rough life.  Don’t know why (I don’t feel like thinking for myself today).  Just my assumption.

Apparently, I wasn’t alone in this idea (via SongMeanings):

This song is about two friends who grew up together from a very young age. One becomes successful, the other had jokes for parents, goes through difficult times and becomes jaded. The more successful one (the one singing the song) is now desperately trying to get his friend to come to his/her senses and become the person she really is on the inside. He reminds him/her (in my mind its a her) what it was like when they were younger and had some fight left in them, because they were desperately searching for something. He asks her to face up to the people and the situations that broke her down, by kicking them in the face, and basically rejecting their right to do that to her. Show them they never really knew the real her, like her best friend did. The hope being that they both can return to the desperate search for the unknown, that they had both begun so many years ago.  (via)

OR

This song is haunting to me. It so beautifully describes the feelings of adolescent love with the chorus. I believe it is about a girl he loved who either suffered from mental illness, a drug problem or some kind of trauma.
The part about the house and the constant hostile references to “they,” presumably her family, seems to hint at some abuse. Later parts imply that her family is denying anything bad happened (as they might if they’d abused her.) She clearly overdosed and got her stomach pumped. Maybe a drug OD or a suicide attempt. It seems like she is now in treatment, either rehab or a psychiatric hospital. It sounds like she has been put on meds.
He claims “they” are saying “You were never quite right/Deserving all the chills” Tremors are a very common side effect of neuroleptics, maybe that’s what the chills is referring to? Either way, “they” say she was or is sick (“not quite right”)and maybe they say she’s making up past abuse. If she were just getting treatment for an addiction, I feel like he would not be so hostile toward “them,” but if they are denying things she told him happened, that would explain the anger.
I think he knows that “they” are telling her the worst is over, but he feels like it isn’t. “They” are just “kicking it over” and running, not facing the underlying issues.
It sounds almost silly, but maybe he feels like they are in a brainwashing, or reprogramming her. Hence, the “turn you on again” part.
I think the “kick them right in the face” part is both him telling her to escape their control, but maybe also to talk about what happened to her. It could allow her to “win the war” against “them” by exposing the truth.
Another reason it sounds like her parents are “they,” and maybe her abusers, is the “baby burst in the world” part. As in, with them as parents she was “never given a chance.” Now they are denying everything and asking “what went wrong.”
The letters part is clear enough, he is writing to her while she is in treatment. At first she was replying but now he isn’t getting responses, even though “they” claim she’s receiving his letters.
It seems like he’s not sure whether they have “brainwashed” her, and he wants her to come back to him, and he’ll protect her. That is, if she “cares to anymore.” (via)

Here comes the dumbcake:

Actually, this song is about something else entirely, something a little darker. Kevin Griffen was a Kappa Sigma at Louisiana State University (I’ve seen his composite pic at the house. Weeiiird…) and this song is about Kappa Sigma (or any fraternity, really, but specific to the LSU Kappa Sigs) pledgeship. I don’t want to spend an hour disecting the song line-by-line, but it all adds up in the end if you know certain aspects of Kappa Sig (especially Southern KS) pledgeship. For instance: “Pass the house, that you never call home” (pledges, seen as practically sub-human were (are) constantly reminded that the frat house is the ACTIVE’s house and NOT the pledges). The chorus (“I remember running through the wet grass…”) comes from a tradition of pledges, on their bid day, running from a certain central place to their respective houses. They wanted to join the fraternity so badly that they never tired, we’re always “desperately wanting.” You can read the rest of the lyrics with the ample stereotypes of hellish fraternity pledging (“filled you full of those pills”, “kick’em right in the face”, “make’em wish they weren’t born,” etc) and it pretty much spells itself out. The part about “the letters have dropped off” is a reference to another LSU tradition that I don’t fully understand (tho I have heard brothers from the chapter mention it), but the “letters” are clearly the Greek ones. Asking what went wrong when u never had it right.. is a reference to the fact that pledges are never right and, most fittingly, “finally figured ouy some things you’ll never know” refers to initiation and finally learning the Ritual, which, of course, no one outside of the fraternity will ever know. Much of the rest of the lyrics are symbolic references (“the door”, etc) to other pledging things. Damn, looks like i did take and hour. Oh well. OF COURSE you must recognize that I am slightly biased (as are all Kappa Sigs) in this reading of the song, but it has been reported that Kevin himself has admitted that the song is about just this. However, as Dennis Miller says: “That’s just my opinion. I could be wrong.” Thanks for listening. (via)

What?  That is some of the biggest grasping at straws I have ever heard!

That’s like saying Foster the People’s Pumped Up Kicks is about playing basketball (it’s about this) or Fun’s We Are Young being about the Fountain of Youth (as opposed to possible domestic abuse).

Even lead singer Kevin Griffin denied it:

Jim Payne (touring keyboardist/guitarist) and I were in the Kappa Sigma fraternity at LSU,” said Griffin. “For some reason it got out that ‘Desperately Wanting’ was about being a pledge, but the reality is it had nothing to do with that. But all around the country, whenever we play it, guys in their [Kappa Sigma] shirts love it.”

In reality, a song can mean anything to anyone.  Is it about fight or flight?  Nature versus nurture?  Analog against digital?  Perhaps it’s an unhealthy combination of both above interpretations.  The group formed while they were all attending LSU in 1988; in 1990, Joel Rundell, their lead guitarist, committed suicide.  Perhaps the idea of pledging and losing a close friend converged into this piece, and we’re all left picking up the pieces.

Wow.  That’s a lot of words.
Sorry about that… won’t happen again.
And that kind of ended on a downer.

Hey!  At least we can all agree the title of the album, Friction, Baby, is about an infant made of sandpaper, right?

Musical Musings… The Most Obvious Euphemism For Mouth Love Yet

I rather enjoy Flo Rida and his dope beats (does anyone still say that?), but it’s his latest song that I have a point of contention with… it’s called Whistle:

Come on, Flo Rida!  You’re barely trying!

SIDENOTE: Back when I wanted to be in a ska band, I decided the moniker would be in the same vein as Flo Rida.  The name: NoBraSka.

Now I’m not claiming that these following songs have tact, decency, and cleverness… but at least the subject matter isn’t as obvious.  Don’t get me wrong – they’re still cringe inducing.  But not as cringe inducing as these lyrics (for illustrative purposes, I’ve removed the word “whistle”):

can you blow my _______ baby, _______ baby
let me know
girl i’m gonna show you how to do it
and we start real slow
you just put your lips together
and you come real close
can you blow my _______ baby, _______ baby
here we go

ANOTHER SIDENOTE: The whistling pleases me, so.

  • Lil’ Kim and 50 Cent’s Magic Stick

ONE MORE SIDENOTE: Man, is this song raunchy.  I never knew she said magic clitoris!

  • Lil’ Wayne’s Lollipop

YET ANOTHER SIDENOTE: I like the line “She wanna lick the rapper”… Get it?  Wrapper = rapper?  Like for a lollipop, or a dick on a rapper?!

  • Bryan Adams’ Summer of ’69

THE LAST SIDENOTE: You knew I wasn’t going to exclude everyone’s favorite Canadian export.

(more here)

Coinkydink Or Coinkydonk? Let’s Play Liberal Borrowing Or Homage!

It’s been a few months since I’ve championed originality in music, or as I call it whilst demonizing (rock and roll!) it – liberal borrowing.

Of the latest two occurrences, one I should have caught a while back.  The last time I mentioned Ryan Star on this blog was to pick on his name (go on – click it… it’s one of my better posts).

Needless to say, I embedded the video for his song Breathe, and I never noticed that it’s opening guitar solo sounded oddly familiar…

  • Ryan Star’s Breathe

Ringo any bells?

  • John Lennon’s Woman

I would consider it an homage if it was about the same thing.  But it’s not.  So it’s…

LIBERAL BORROWING!

As for my latest find, I overheard this song playing overhead in a sports bar:

  • Lee Brice’s Hard to Love

Any other song’s intro come racing to mind?

  • Tracy Chapman’s Fast Car

What’s the verdict here – liberal borrowing or homage?

LIBERAL BORROWING AGAIN!