Is this just a pog for the digital age? Really, I’m seriously asking…
I watch more cartoons than I should. In fact, depending on the time of the year, my DVR may be 33% full of animated hijinks.
But this show… this show makes me feel like a parent (which I’m not). Of all the swill shilling shit programming out there, this one… this one… you just need to see:
If the opening of BeyWheelz: Powered by BeyBlade is too unbearable to sit through, allow me to present a sample battle scene from this show:
Yes. You saw exactly what you saw. Two wheels riding into each other. Not animals popping out of balls or cards. Wheels. Or pardon me, Wheelz.
These Wheelz. Or pardon me, BeyWheelz.
I wonder if each set is based on a different episode.
Hasbrohas gotten sloppy, power-hungry, or durrr since the success of the brain-dead-on-arrival Transformer films. Even the cinematic floater called Battleship made them money in the worldwide market. Perhaps their just setting their sights on dumb-proofing children so that one day a live-action BeyWheelz will be another future summer blockbuster.
Wait a second… BeyWheelz… Michael Bay… it might already be too late…
This is a weird situation for me. I consider myself fairly savvy about 80’s pop culture. I can pull nuggets of recollections (drunken or otherwise) that would put search engines to shame.
Equally as strange as knowing the lyrics to Pole Position is knowing (most) of the words to Punky Brewster’s cartoon theme:
But this is where I dropped the ball. I saw some write-up about 80’s cartoons, and the show Turbo Teen was mentioned. I DON’T REMEMBER TURBO TEEN. That is until I saw this:
*hangs head in shame*
SIDENOTE: If you type Turbo Teen in Google, you get no results.
Growing up, I wanted to be Luke Skywalker (not Han Solo), Indiana Jones, and Steven Spielberg. How much has changed since then?
Not since I watched all the James Bond films in my early-30’s and reconsidered my lifelong attachment to Star Wars, have I wished for a new childhood dream:
I’m not exactly sure what recently got me looking into this, but I must admit that I am dumbfounded.
And by dumbfounded, I mean I found dumb. Amazingly dumb. And let it be known that I’ve seen a lot of dumb, and this takes the dumbcake.
Remember Desperately Wanting by Better Than Ezra? If not, here’s the (horrible for 1996, or any time for that matter) video:
My initial thoughts on the song was that it was about a girl he loved in his youth that had a rough life. Don’t know why (I don’t feel like thinking for myself today). Just my assumption.
Apparently, I wasn’t alone in this idea (via SongMeanings):
This song is about two friends who grew up together from a very young age. One becomes successful, the other had jokes for parents, goes through difficult times and becomes jaded. The more successful one (the one singing the song) is now desperately trying to get his friend to come to his/her senses and become the person she really is on the inside. He reminds him/her (in my mind its a her) what it was like when they were younger and had some fight left in them, because they were desperately searching for something. He asks her to face up to the people and the situations that broke her down, by kicking them in the face, and basically rejecting their right to do that to her. Show them they never really knew the real her, like her best friend did. The hope being that they both can return to the desperate search for the unknown, that they had both begun so many years ago. (via)
OR
This song is haunting to me. It so beautifully describes the feelings of adolescent love with the chorus. I believe it is about a girl he loved who either suffered from mental illness, a drug problem or some kind of trauma.
The part about the house and the constant hostile references to “they,” presumably her family, seems to hint at some abuse. Later parts imply that her family is denying anything bad happened (as they might if they’d abused her.) She clearly overdosed and got her stomach pumped. Maybe a drug OD or a suicide attempt. It seems like she is now in treatment, either rehab or a psychiatric hospital. It sounds like she has been put on meds.
He claims “they” are saying “You were never quite right/Deserving all the chills” Tremors are a very common side effect of neuroleptics, maybe that’s what the chills is referring to? Either way, “they” say she was or is sick (“not quite right”)and maybe they say she’s making up past abuse. If she were just getting treatment for an addiction, I feel like he would not be so hostile toward “them,” but if they are denying things she told him happened, that would explain the anger.
I think he knows that “they” are telling her the worst is over, but he feels like it isn’t. “They” are just “kicking it over” and running, not facing the underlying issues.
It sounds almost silly, but maybe he feels like they are in a brainwashing, or reprogramming her. Hence, the “turn you on again” part.
I think the “kick them right in the face” part is both him telling her to escape their control, but maybe also to talk about what happened to her. It could allow her to “win the war” against “them” by exposing the truth.
Another reason it sounds like her parents are “they,” and maybe her abusers, is the “baby burst in the world” part. As in, with them as parents she was “never given a chance.” Now they are denying everything and asking “what went wrong.”
The letters part is clear enough, he is writing to her while she is in treatment. At first she was replying but now he isn’t getting responses, even though “they” claim she’s receiving his letters.
It seems like he’s not sure whether they have “brainwashed” her, and he wants her to come back to him, and he’ll protect her. That is, if she “cares to anymore.” (via)
Here comes the dumbcake:
Actually, this song is about something else entirely, something a little darker. Kevin Griffen was a Kappa Sigma at Louisiana State University (I’ve seen his composite pic at the house. Weeiiird…) and this song is about Kappa Sigma (or any fraternity, really, but specific to the LSU Kappa Sigs) pledgeship. I don’t want to spend an hour disecting the song line-by-line, but it all adds up in the end if you know certain aspects of Kappa Sig (especially Southern KS) pledgeship. For instance: “Pass the house, that you never call home” (pledges, seen as practically sub-human were (are) constantly reminded that the frat house is the ACTIVE’s house and NOT the pledges). The chorus (“I remember running through the wet grass…”) comes from a tradition of pledges, on their bid day, running from a certain central place to their respective houses. They wanted to join the fraternity so badly that they never tired, we’re always “desperately wanting.” You can read the rest of the lyrics with the ample stereotypes of hellish fraternity pledging (“filled you full of those pills”, “kick’em right in the face”, “make’em wish they weren’t born,” etc) and it pretty much spells itself out. The part about “the letters have dropped off” is a reference to another LSU tradition that I don’t fully understand (tho I have heard brothers from the chapter mention it), but the “letters” are clearly the Greek ones. Asking what went wrong when u never had it right.. is a reference to the fact that pledges are never right and, most fittingly, “finally figured ouy some things you’ll never know” refers to initiation and finally learning the Ritual, which, of course, no one outside of the fraternity will ever know. Much of the rest of the lyrics are symbolic references (“the door”, etc) to other pledging things. Damn, looks like i did take and hour. Oh well. OF COURSE you must recognize that I am slightly biased (as are all Kappa Sigs) in this reading of the song, but it has been reported that Kevin himself has admitted that the song is about just this. However, as Dennis Miller says: “That’s just my opinion. I could be wrong.” Thanks for listening. (via)
What? That is some of the biggest grasping at straws I have ever heard!
That’s like saying Foster the People’s Pumped Up Kicks is about playing basketball (it’s about this) or Fun’s We Are Young being about the Fountain of Youth (as opposed to possible domestic abuse).
“Jim Payne (touring keyboardist/guitarist) and I were in the Kappa Sigma fraternity at LSU,” said Griffin. “For some reason it got out that ‘Desperately Wanting’ was about being a pledge, but the reality is it had nothing to do with that. But all around the country, whenever we play it, guys in their [Kappa Sigma] shirts love it.”
I rather enjoy Flo Rida and his dope beats (does anyone still say that?), but it’s his latest song that I have a point of contention with… it’s called Whistle:
Come on, Flo Rida! You’re barely trying!
SIDENOTE: Back when I wanted to be in a ska band, I decided the moniker would be in the same vein as Flo Rida. The name: NoBraSka.
Now I’m not claiming that these following songs have tact, decency, and cleverness… but at least the subject matter isn’t as obvious. Don’t get me wrong – they’re still cringe inducing. But not as cringe inducing as these lyrics (for illustrative purposes, I’ve removed the word “whistle”):
can you blow my _______ baby, _______ baby
let me know
girl i’m gonna show you how to do it
and we start real slow
you just put your lips together
and you come real close
can you blow my _______ baby, _______ baby
here we go
ANOTHER SIDENOTE: The whistling pleases me, so.
Lil’ Kim and 50 Cent’s Magic Stick
ONE MORE SIDENOTE: Man, is this song raunchy. I never knew she said magic clitoris!
Lil’ Wayne’s Lollipop
YET ANOTHER SIDENOTE: I like the line “She wanna lick the rapper”… Get it? Wrapper = rapper? Like for a lollipop, or a dick on a rapper?!
Bryan Adams’ Summer of ’69
THE LAST SIDENOTE: You knew I wasn’t going to exclude everyone’s favorite Canadian export.
It’s been a few months since I’ve championed originality in music, or as I call it whilst demonizing (rock and roll!) it – liberal borrowing.
Of the latest two occurrences, one I should have caught a while back. The last time I mentioned Ryan Star on this blog was to pick on his name (go on – click it… it’s one of my better posts).
Needless to say, I embedded the video for his song Breathe, and I never noticed that it’s opening guitar solo sounded oddly familiar…
Ryan Star’s Breathe
Ringo any bells?
John Lennon’s Woman
I would consider it an homage if it was about the same thing. But it’s not. So it’s…
LIBERAL BORROWING!
As for my latest find, I overheard this song playing overhead in a sports bar:
Lee Brice’s Hard to Love
Any other song’s intro come racing to mind?
Tracy Chapman’s Fast Car
What’s the verdict here – liberal borrowing or homage?