Humor
The Silver Lining… At Least The Dark Knight Rises Ripped Off An Academy Award-Winning Script
A Handful Of… Songs By Huge Scaly Fictional Creatures
JusWondering… What Is Desperately Wanting About?
I’m not exactly sure what recently got me looking into this, but I must admit that I am dumbfounded.
And by dumbfounded, I mean I found dumb. Amazingly dumb. And let it be known that I’ve seen a lot of dumb, and this takes the dumbcake.
Remember Desperately Wanting by Better Than Ezra? If not, here’s the (horrible for 1996, or any time for that matter) video:
My initial thoughts on the song was that it was about a girl he loved in his youth that had a rough life. Don’t know why (I don’t feel like thinking for myself today). Just my assumption.
Apparently, I wasn’t alone in this idea (via SongMeanings):
This song is about two friends who grew up together from a very young age. One becomes successful, the other had jokes for parents, goes through difficult times and becomes jaded. The more successful one (the one singing the song) is now desperately trying to get his friend to come to his/her senses and become the person she really is on the inside. He reminds him/her (in my mind its a her) what it was like when they were younger and had some fight left in them, because they were desperately searching for something. He asks her to face up to the people and the situations that broke her down, by kicking them in the face, and basically rejecting their right to do that to her. Show them they never really knew the real her, like her best friend did. The hope being that they both can return to the desperate search for the unknown, that they had both begun so many years ago. (via)
OR
This song is haunting to me. It so beautifully describes the feelings of adolescent love with the chorus. I believe it is about a girl he loved who either suffered from mental illness, a drug problem or some kind of trauma.
The part about the house and the constant hostile references to “they,” presumably her family, seems to hint at some abuse. Later parts imply that her family is denying anything bad happened (as they might if they’d abused her.) She clearly overdosed and got her stomach pumped. Maybe a drug OD or a suicide attempt. It seems like she is now in treatment, either rehab or a psychiatric hospital. It sounds like she has been put on meds.
He claims “they” are saying “You were never quite right/Deserving all the chills” Tremors are a very common side effect of neuroleptics, maybe that’s what the chills is referring to? Either way, “they” say she was or is sick (“not quite right”)and maybe they say she’s making up past abuse. If she were just getting treatment for an addiction, I feel like he would not be so hostile toward “them,” but if they are denying things she told him happened, that would explain the anger.
I think he knows that “they” are telling her the worst is over, but he feels like it isn’t. “They” are just “kicking it over” and running, not facing the underlying issues.
It sounds almost silly, but maybe he feels like they are in a brainwashing, or reprogramming her. Hence, the “turn you on again” part.
I think the “kick them right in the face” part is both him telling her to escape their control, but maybe also to talk about what happened to her. It could allow her to “win the war” against “them” by exposing the truth.
Another reason it sounds like her parents are “they,” and maybe her abusers, is the “baby burst in the world” part. As in, with them as parents she was “never given a chance.” Now they are denying everything and asking “what went wrong.”
The letters part is clear enough, he is writing to her while she is in treatment. At first she was replying but now he isn’t getting responses, even though “they” claim she’s receiving his letters.
It seems like he’s not sure whether they have “brainwashed” her, and he wants her to come back to him, and he’ll protect her. That is, if she “cares to anymore.” (via)
Here comes the dumbcake:
Actually, this song is about something else entirely, something a little darker. Kevin Griffen was a Kappa Sigma at Louisiana State University (I’ve seen his composite pic at the house. Weeiiird…) and this song is about Kappa Sigma (or any fraternity, really, but specific to the LSU Kappa Sigs) pledgeship. I don’t want to spend an hour disecting the song line-by-line, but it all adds up in the end if you know certain aspects of Kappa Sig (especially Southern KS) pledgeship. For instance: “Pass the house, that you never call home” (pledges, seen as practically sub-human were (are) constantly reminded that the frat house is the ACTIVE’s house and NOT the pledges). The chorus (“I remember running through the wet grass…”) comes from a tradition of pledges, on their bid day, running from a certain central place to their respective houses. They wanted to join the fraternity so badly that they never tired, we’re always “desperately wanting.” You can read the rest of the lyrics with the ample stereotypes of hellish fraternity pledging (“filled you full of those pills”, “kick’em right in the face”, “make’em wish they weren’t born,” etc) and it pretty much spells itself out. The part about “the letters have dropped off” is a reference to another LSU tradition that I don’t fully understand (tho I have heard brothers from the chapter mention it), but the “letters” are clearly the Greek ones. Asking what went wrong when u never had it right.. is a reference to the fact that pledges are never right and, most fittingly, “finally figured ouy some things you’ll never know” refers to initiation and finally learning the Ritual, which, of course, no one outside of the fraternity will ever know. Much of the rest of the lyrics are symbolic references (“the door”, etc) to other pledging things. Damn, looks like i did take and hour. Oh well. OF COURSE you must recognize that I am slightly biased (as are all Kappa Sigs) in this reading of the song, but it has been reported that Kevin himself has admitted that the song is about just this. However, as Dennis Miller says: “That’s just my opinion. I could be wrong.” Thanks for listening. (via)
What? That is some of the biggest grasping at straws I have ever heard!
That’s like saying Foster the People’s Pumped Up Kicks is about playing basketball (it’s about this) or Fun’s We Are Young being about the Fountain of Youth (as opposed to possible domestic abuse).
Even lead singer Kevin Griffin denied it:
“Jim Payne (touring keyboardist/guitarist) and I were in the Kappa Sigma fraternity at LSU,” said Griffin. “For some reason it got out that ‘Desperately Wanting’ was about being a pledge, but the reality is it had nothing to do with that. But all around the country, whenever we play it, guys in their [Kappa Sigma] shirts love it.”
In reality, a song can mean anything to anyone. Is it about fight or flight? Nature versus nurture? Analog against digital? Perhaps it’s an unhealthy combination of both above interpretations. The group formed while they were all attending LSU in 1988; in 1990, Joel Rundell, their lead guitarist, committed suicide. Perhaps the idea of pledging and losing a close friend converged into this piece, and we’re all left picking up the pieces.
Wow. That’s a lot of words.
Sorry about that… won’t happen again.
And that kind of ended on a downer.
Hey! At least we can all agree the title of the album, Friction, Baby, is about an infant made of sandpaper, right?
Musical Musings… The Most Obvious Euphemism For Mouth Love Yet
I rather enjoy Flo Rida and his dope beats (does anyone still say that?), but it’s his latest song that I have a point of contention with… it’s called Whistle:
Come on, Flo Rida! You’re barely trying!
SIDENOTE: Back when I wanted to be in a ska band, I decided the moniker would be in the same vein as Flo Rida. The name: NoBraSka.
Now I’m not claiming that these following songs have tact, decency, and cleverness… but at least the subject matter isn’t as obvious. Don’t get me wrong – they’re still cringe inducing. But not as cringe inducing as these lyrics (for illustrative purposes, I’ve removed the word “whistle”):
can you blow my _______ baby, _______ baby
let me know
girl i’m gonna show you how to do it
and we start real slow
you just put your lips together
and you come real close
can you blow my _______ baby, _______ baby
here we go
ANOTHER SIDENOTE: The whistling pleases me, so.
- Lil’ Kim and 50 Cent’s Magic Stick
ONE MORE SIDENOTE: Man, is this song raunchy. I never knew she said magic clitoris!
- Lil’ Wayne’s Lollipop
YET ANOTHER SIDENOTE: I like the line “She wanna lick the rapper”… Get it? Wrapper = rapper? Like for a lollipop, or a dick on a rapper?!
- Bryan Adams’ Summer of ’69
THE LAST SIDENOTE: You knew I wasn’t going to exclude everyone’s favorite Canadian export.
Happy Find… Me Wanty! Me Wanty!
Ever hear about 3D printing?
This particular product is called the Solidoodle 2, and it “printed” that plastic skull!
What will I do with such a product, you may wonder. I’ll “print” frickin’ toys! That I made up! How cool is that?!
Coinkydink Or Coinkydonk? Let’s Play Liberal Borrowing Or Homage!
It’s been a few months since I’ve championed originality in music, or as I call it whilst demonizing (rock and roll!) it – liberal borrowing.
Of the latest two occurrences, one I should have caught a while back. The last time I mentioned Ryan Star on this blog was to pick on his name (go on – click it… it’s one of my better posts).
Needless to say, I embedded the video for his song Breathe, and I never noticed that it’s opening guitar solo sounded oddly familiar…
- Ryan Star’s Breathe
Ringo any bells?
- John Lennon’s Woman
I would consider it an homage if it was about the same thing. But it’s not. So it’s…
LIBERAL BORROWING!
As for my latest find, I overheard this song playing overhead in a sports bar:
- Lee Brice’s Hard to Love
Any other song’s intro come racing to mind?
- Tracy Chapman’s Fast Car
What’s the verdict here – liberal borrowing or homage?
LIBERAL BORROWING AGAIN!
Awesome Battle… Supporting Will Ferrell Vs. Lead Will Ferrell
With The Campaign on its way to a theater near you, I thought it was a good time to evaluate Will Ferrell’s hits and misses via his earlier supporting roles compared to his starring roles. It’s an Awesome Battle for the ages!
- WILL FERRELL’S SUPPORTING ROLES
Though in these parts he may have played second hat (which seemed to require weird hair… or a hat), no one can deny that Ferrell didn’t chew up his scenes, starting with Mustafa in the Austin Powers. When he wanted to oil up and wrestle in the otherwise horrible The Ladies Man, he brought moments of tolerableness. He not only took on Jesus in Superstar, but also Jay and Silent Bob as they struck back. His Mugatu must have been on crazy pills because he was the only one that could see the fool that Zoolander was. And who could forget his reintroduction streaking through the courtyard (or his ass) in Old School?
- WILL FERRELL’S LEADING ROLES
He can play it straight (Stranger Than Fiction), he can play it dry (Anchorman), or he can play it over the top (Elf)… but we still have to admit it: he plays it better when he has someone else to play off of (Talladega Nights, Step Brothers, The Other Guys). That might be why I have to give the Awesome Battle to his supporting roles. Or do I?
- *THE WINNER* WILL FERRELL’S CAMEOS

You know every one of these characters if you’ve seen these films. If you don’t – you just haven’t seen them.
SIDENOTE: Sorry, but I have not seen Megamind, Everything Must Go, or Casa de mi Padre. Or any of his older more criticized flicks like Semi-Pro, Land of the Lost, Bewitched, Kicking and Screaming, or A Night at the Roxbury. I did see Blades of Glory; I regret that. I have no excuses for The Producers, Winter Passing, or Melinda and Melinda, or any of the smaller films. But that’s why none of them are included – I didn’t see them or they sucked so I didn’t see them or they sucked
.
monkeyFLASHmonkeyBACK… I Didn’t Know That Song Was About Strippers!
This is a post that I might have written back in 2006 is I had a blog. Man, I’d be worth thousands if I had a blog back then…
I haven’t heard this song in quite a long time, and I knew so little about it, I always thought it was by Chicago. I also considered it a love song about a special “one-in-a-million” girl since I heard it originally back in 1983.
The song in question – The Tubes’ She’s a Beauty:
But just like how my reality was shattered in high school when I realized two things that took me way too long to figure out:
- There’s no way gum can stick to your ribs if you swallow it!
- When Mommy was caught kissing Santa Claus, that was Daddy dressed as Santa Claus!
I just realized this song is about strippers! Or at least a girl in a peep show. Two key lyrics I didn’t catch until now:
She’s right here behind the glass/
And you’re gonna like her ’cause she’s got class.She’ll give you every penny’s worth/
But it will cost you a dollar first.
WEIRD THINGS ABOUT THE VIDEO
- There’s more than one kid in the video for a song about soliciting illicit women.
- The drums look more like boobs than eyes, if that’s what they were trying to pretend the boobs were.
- The boy trapped on the ride is Robert Arquette… who would grow up to become Alexis Arquette.
In My Brain While Sleeping… The Kitchen Sink
This is one of those dreams that I shouldn’t share because, quite frankly, it made no sense. So here we go! (With pictures! (And videos!))

And I was proud about a skit I wrote in which adults were trying to pass each other holding on the top pole of a swing set.
But then they ended up having Krazy Glue hard hats on and stayed in place.

I ran into President Obama at a shopping mall and told him the skit’s premise. He did not find it funny.

But to get free ice cream, you needed a ticket from a sponsor. Every sponsor I checked in with ran out.

I decided I was going to eat ice cream anyway since there was so much leftover. As I moved in, a friend that was working gave me permission to pig out.
When free food is provided, you should take a fair portion first. Once everyone has gone through the line, you can take a second helping of a higher portion. This does not apply to pizza. More pizza can only be taken in the third round.
Then I awakened to this song playing on the radio:
















