Coinkydink Or Coinkydonk? Teen Wolf Writers Are No Heroes

teen_wolf_double_creature

Who let the wolves out? Wolf, wolf, wolf...

Though 80’s classics, I never could get into the Teen Wolf movies (soon to be an MTV show).  There was something unfulfilling about them, though they were ripe with fodder (<—a phrase not used often enough).

I was a big fan of both Michael J. Fox and Jason Bateman at the time of each respective release, so what went wrong?

I may have found the answer via Topless Robot’s Twitter feed.  Commenters on the nerd-centric blog pointed out a peculiar Coinkydink (or Coinkydonk – vote below) to site-founder, Rob Bricken, while he was on a tizzy about NBC’s Heroes driving him to drink. 

The facts are these (I sorely miss Pushing Daisies, which was created by Heroes’ only hero – Bryan Fuller):

jeph-loeb

A face only a motherfucker could punch.

tim-kring

Probably overheard saying, "I have no idea what I'm doing."

While this makes little sense to those non-nerd-centric-minded out there, the reason why Heroes sucked sucks so bad (I try to pretend it isn’t on anymore), is that it was created by Tim Kring, the guy that wrote a sequel to a crap cash grab movie by Jeph Loeb, and Tim Kring brought Jeph Loeb on board to help oversee Heroes (for awhile).

(SIDENOTE: Loeb was fired last year, but it happened at the point Leo DiCaprio let go of the wood board Kate Winslet was floating on, if Heroes was the Titanic… basically, it occurred too late.)

So if you’re wondering… what am I bashing more – Teen Wolf one and Too, or Heroes?  My answer is this: I’m not finished. 

While Tim Kring might have went on to create Crossing Jordan and produce Providence (two moderately successful shows I would never watch),  he did work on Chicago Hope and Misfits of Science (two awesome shows I wish were on DVD).  And the first season of Heroes was great, which gains him some ground, but again, he did hire Loeb, so there that goes…

Now Jeph Loeb on the other hand:

  • Wrote the wretched X-Man for Marvel Comics, which facilitated my disconnect with the X-Men Universe in paper-and-ink form (tubby Brett Ratner did the same in regard to the films)
  • Produced the highly suspect, and in retrospect, pretty crappy, second season of Lost
  • While producing and writing for Smallville, he introduced young Superman to Red Kryptonite, which is usually green; now writing again at Marvel, he introduced Red Hulk to battle green Hulk

In his (slight) defense, Loeb did write Arnie’s Commando, and he has been recognized positively for his comic writing (he’s received four Eisner‘s and five Wizard Fan Awards).  But let me get to the nitty-gritty…

Awful Battle… Only In Japan, Man, Only In Japan

I don’t know what else to say. 

Once you’ve seen a baby-faced crotch shoot a missile at a robot, a cartoon of a man drinking fresh breast milk from a human women farm, and a TV show centered around super-powered boobs (I’m not talking about NBC’s Heroes), there can only be three words left to share:

AWFUL BATTLE – GO!

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Hibbidy-Wah?! Did That Alien Just Urinate Smoke?!

What do you call a rip-off that doesn’t even try?

Or how about Turkey’s E.T. rip-off called Badi.  You can tell the film’s called Badi because Badi keeps saying “Badi” just like how E.T. used to keep saying “E.T.” 

Am I right or am I right or am I right?

A Pep Talk For TV Producer Bryan Fuller

Even though the TripleDoubleU’s a-rumbling over “Pushing Daisies” (some hint that the title may become eponymous with its fate), I say, sally forth, Bryan Fuller.  Your imagination, and our societal lack thereof, needs it.

From your beginnings, as a fan who got to write for his favorite franchise, “Star Trek,” through your development of the wonderful “Wonderfalls” and “Dead Like Me,” and the best part of the crap that “Heroes” has become (FYI… he wrote the first season’s incredible “Company Man”), I don’t feel like you’ve received your just desserts just yet.

It appears ABC’s gamble last Wednseday was good one (and funny, since the episode was about gambling).  I hope that “Pushing Daisies” can find the audience it needs to keep the Brass ordering more seasons.

And fear not if all does not go as planned (crossing fingers for new “Star Trek” show).  Look how long it took Judd Apatow to click with the mainstream.  There was “The Ben Stiller Show,” “Freaks and Geeks,” and “Undeclared” way before there was “The 40 Year Old Virgin.”

We need people like you in Hollywood (and Charlie Kaufman, and maaaaybe Zack Snyder), since the Lucas and Spielberg wells have all dried up.  Who else will do battle with the Michael Bays, Stephen SommersBrett Ratners, and (vomit) Friedberg/Seltzers of the world?